original poetry

The Demise of Mr. Wise | Donal Mahoney

The demise of Mr. Wise came as no surprise
to the clerks in his department,
those weathered women who for years
had borne his scorn so well.
The story goes that Mr. Wise that day,
balancing his tray at lunch,
stepped lightly past
the puddings, pies and cakes
and pitched across his broth.
Two feet from the register, he dropped,
a humpback suddenly ashore.
Behind him in the line was Mrs. Burke,
who saw her boss’s water break.
She knew right then
there was nothing she could do.
After all, as everyone could see,
an earthquake in the chest
had taken Mr. Wise.
And that is why she raised
both arms and cried,
“Forget the CPR! Someone
call a priest!” No other sound
was heard that afternoon.
Not one boo-hoo.

More at http://booksonblog12.blogspot.com/.

Hospice | Donal Mahoney

Listen, Dad,
Mom’s dead, but
you can dance
with her again.
She’s waiting
in the sky, behind
a star, humming
to the music.
You and Mom
can waltz around
the moon forever.
She may even sing
that song you like.
I’ll comb your hair,
shine your shoes
and press your old tuxedo.
There’s no rush.
You know Mom.
She’d never dance
with anyone but you.

More at http://booksonblog12.blogspot.com/.

Philosophy 101: Who Knew? | Donal Mahoney

The gap between potency and act,
the scholar says, is demonstrated
by this anecdote:
A boy of 12, visiting a farm,
is given a glass of buttermilk
by the farmer’s wife who tells him,
“Down the hatch, young man!”
The boy drinks the buttermilk
and almost vomits.
Decades later at a County Fair
a farmer’s wife selling buttermilk
tells the boy who’s now a man,
“You’ll love my buttermilk!”
and offers him a glass.
He drinks the buttermilk
and vomits on her counter.
This demonstrates, the scholar says,
the gap between potency and act.

More at http://booksonblog12.blogspot.com/.

After Burying a Wife | Donal Mahoney

Were she here with me now,
by the waist I would raise her,
a chalice of wonder.
I’d bellow hosannas
and whirl her around,
tell her again that I love her,
press my face moist
in the pleats of her skirt,
ask her to sprinkle
phlox on the curls
of our children
if they are with her,
ask her to stay a while longer
while I do so much more
were she here with me now.

More at http://booksonblog12.blogspot.com/.

Tommy Is the Man | Donal Mahoney

Tommy is the only man
for miles around who can knot a tie.
Old farmers come to town on Saturday
and wave from pickups with respect
when they see Tommy on the street
out for a walk in his black suit.
Tommy is the man they know
their families will call to knot
their ties and close their caskets.

More at http://booksonblog12.blogspot.com/.

Kissing Carol Ann | Donal Mahoney

Back in 1957
kissing Carol Ann
behind the barn
in the middle of
a windswept field
of Goldenrod
with a sudden deer
watching was
something special,
let me tell you.
Back then, bobby sox
and big barrettes
and ponytails
were everywhere.
Like many farmers,
Carol Ann’s father
had a console radio
in the living room,
and every Saturday night
the family would gather ’round
with bowls of ice cream
and listen to the Grand Ole Opry.
It was beamed “all the way”
from Nashville I was told
more than once since
I was from Chicago
and sometimes wore a tie
so how could I know.
On my first visit,
I asked Carol Ann
if the Grand Ole Opry was
the Mormon Tabernacle Choir
of country music and she said
not to say that to her father.
She suggested I just tap
my foot to the music
and let him watch me.
Otherwise I’d best be
quiet and say “Yup,”
“Nope” or “Maybe”
if asked any questions
which she didn’t think
would happen.
No need to say
much more, she said,
and after a few visits,
I understood why.
Over time, I learned
to tap my foot pretty good
to the music because
when I’d come to visit,
her father would insist
I have a bowl of ice cream
with the family.
I liked the ice cream
but not so much
the Grand Ole Opry.
I’d been weaned
on Sinatra in the city.
Big difference,
let me tell you.
But back in 1957
kissing Carol Ann
behind the barn
was something special
since we couldn’t do
much more until
I found employment.
Only then, her father said,
could we get married.
I found no jobs
in town, however,
for a bespectacled man
with degrees in English.
Still, I always found
the weekend drives
from Chicago worth
the gas my Rambler drank
because kissing Carol Ann
brought a bit of heaven
down behind that barn,
especially on summer nights
when fireflies were
the only stars we saw
when our eyes
popped open.
It was like
the Fourth of July
with tiny sparklers
twinkling everywhere.
Now, 55 years later,
Carol Ann sometimes mentions
fireflies at dusk as we
dance behind the cows
to coax them into the barn
for the night.
I’m still not too good
with cows despite
my John Deere cap,
plaid shirt and overalls
which proves, she says,
that all that kissing
behind the barn in 1957
took the boy out of the city
but not the city out of the boy.
“Hee Haw” is all I ever
say in response because
I know why I’m there.
It’s to keep tapping
the cows on the rump
till we get them
back in the barn
so we can go back
in the house
and start with
a kiss and later on
come back downstairs
for two big bowls
of ice cream.

More at http://booksonblog12.blogspot.com/.

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